“We love it here because we love you here,” read the enormous ad covering the side of a red double-decker New York City tour bus, touting H&M’s new Hudson Yards location. The slogan is a lie. Hudson Yards does not love you. We do not love Hudson Yards. And we especially do not love it here, in a city that is desperately trying to maintain the illusion that we are all something more than props in a metropolis-sized variety show put on for the benefit of bored hedge fund employees.
“Hudson Yards, the biggest private real estate development in US history, may be slightly less offensive to the memory of Jane Jacobs than a freeway running through Greenwich Village, but not by much. As urban planning visions go, it is a familiar one: an ultracapitalist equivalent of the Forbidden City, a Chichen Itza with a better mall and slightly better-concealed human sacrifice. The development has been dubbed a “billionaire’s fantasy city”, but it is something more sinister than that. It is a billionaire’s reality city. The other 8.6 million of us are just character actors in this drama starring the most unbearable people you can imagine…
If someone were to give you a 28-acre blank canvas in the Manhattan metropolis, what might you create?
“There are the mandatory celebrity chef-branded food caverns, where BlackRock financiers can sit with Thomas Keller-approved wagyu steaks and contemplate the democratic civic spirit of the Big Apple, or slurp David Chang-branded noodles without having to venture to any of the messy places where noodles are usually consumed. And there will be ample apartments for sale, in tower after tower, posh glass cages for those whose definition of a starter home begins with a seven-figure price tag. Indeed, it will be a neighborhood-sized version of another Ross project, the Time Warner Center – not the rarefied luxury of Central Park West, but the luxury of buying a $40m apartment next to a Russian oligarch, with a Whole Foods in the basement, a restaurant with an $1,100 tasting menu above that, and a quantum foam of tourists stretching out around you in all directions.
“But let it not be said that Hudson Yards does not promote the arts. It will be centered around “The Vessel”, a 15-story high answer to the question: “How much money could a rich man waste building a climbable version of an MC Escher drawing?” (The answer is $200m.) As a work of public art, it will reach its full form as Related Co security forces roust the city’s 63,000 homeless people from its welcoming stairs and landings, a powerful creative statement on the fundamental righteousness and nobility of structuring complex real estate transactions for a living.”
Text: Hamilton Nowlan, Hudson Yards is an ultra-capitalist Forbidden City
Image: Upside Down.