“None of it is real, though, because reality lies in a different, more evanescent realm. These are only the names of some of the places in the archipelago of dreams. The true reality is the one you perceive around you, or that which you are fortunate enough to imagine for yourself.”Christopher Priest, The Affirmation
“Life would be impossible on such a planet. It wouldn’t get enough heat and light, and if it rotated there would be total darkness half of every day. There wouldn’t be any native inhabitants. You couldn’t expect life—which is fundamentally dependent on light—to develop under such extreme conditions of light deprivation. Half of every axial rotation spent in Darkness! No, nothing could exist under conditions like that.”
“With the slow fascination of fear, he lifted himself on one arm and turned his eyes toward the blood-curdling blackness of the window. Through it shone the stars! Not Earth’s feeble thirty-six hundred Stars visible to the eye; Lagash was in the center of a giant cluster. Thirty thousand mighty suns shone down in a soul-searing splendour that was more frighteningly cold in its awful indifference than the bitter wind that shivered across the cold, horribly bleak world.”
Text: Issac Asimov, Nightfall
Pics: Reuben Wu.
“No comets crashing, nothing you could really call a nuclear war. Just everything else, tangled in the changing climate: droughts, water shortages, crop failures, honeybees gone like they almost were now, collapse of other keystone species, every last alpha predator gone, antibiotics doing even less than they already did, diseases that were never quite the one big pandemic but big enough to be historic events in themselves. And all of it around people: how people were, how many of them there were, how they’d changed things just by being there.”
Text: William Gibson,
Pic: Filip Hodas
“Consider the insertion of Philip K. Dick into Blade Runner 2049 as a metafiction, something Dick did consciously and unconsciously in his fictions. Dick’s middle name was Kindred, and ‘K’ the replicant played by Ryan Gosling is K/kindred with Dick. K’s serial number is KD6-3.7 This is precisely the kind of numerological gift that Dick would have enjoyed, and perseverated over: it leads in one direction, before the flip/flop undermines the first solution. The combination of 6 and 3, interlinked by the hyphen, gives us 9 or alphabetically ‘I.’ The 3, isolated, gives us ‘C.’ It appears as if K’s serial number will encrypt Dick’s name directly: KDIC – but then it breaks off, or loops back, anagrammatically, leaving the final digit 7 unresolved. The numeral 7 has a rich and paradoxical history in the occult, theology, literature, and pataphysics. It’s also the square root of 49, and so forth. Yet, one must double back, approach the numerology differently: K (11), D (4), and 9 are 24. Then, 3 and 7. Work the numerological equation this way: 2+4+3+7 = 16, or ‘P’. The initials PKD are encrypted in K’s serial number.
“Or, regard it another way: allow 3 + 7 to simply equal 10. 10 is ‘J.’ Therefore, the K serial number that identifies with Dick simultaneously identifies ‘J.’ Philip K. Dick’s twin sister died six weeks after birth. Her name was Jane. Dick was haunted by Jane. Twinning, and doubling are uncanny devices in Blade Runner 2049. But J is also Joi: a classic projection/introjection of Dick’s “dark-haired girl,” K’s daemon, his anima, his pre-occupation by spirit. Later, as pure emanation, Joi will occupy the persona of the doxie Mariette to experience sex with K. Then, J is Joe: the name given K by Joi when they mistakenly deduce K’s humanity. Joe K is also a ‘joke’ in that the name invokes Josef K of Kafka’s The Trial (pub. 1925), and Dick’s father, Joseph. Further, J is Joshi. Lieutenant Joshi, also referred to as Madam, is a surrogate maternal figure, who suggests the incest taboo in the family romance of the film. J is the lost and introjected sister Jane, and also Jesus, who in Dick’s complex of digressive Gnosticism is female. If this sounds like monomania on my part, then I refer you to The Exegesis of Philip K. Dick (2011), the philosophy of the author subsequent to his religious/mystical experience of February and March 1974. Dick’s Exegesis, edited by Pamela Jackson and Jonathan Lethem, with exceptional annotations and interventions from an array of acquaintances, academics, and authors, is a (self-)conscious presence in Blade Runner 2049. And this is the fidelity the sequel insists upon, the autodidactic philosophy which the original abjected as too weird. It is the core of the film…”
Text: James Reich, Blade Runner 2049: The Enigma and Exegesis of ‘K’
Pic: Manuscript page from Dick’s Exegesis
“That life was not organic, animal and vegetable and lesser kingdoms, growing, breathing, drinking, eating, breeding, hunting, hiding; it kindled no fires and wielded no tools; from the beginning, it was a kind of oneness. An original unity differentiated itself into countless avatars, like waves on a sea. They arose and lived individually, coalesced when they chose by twos or threes or multitudes, reemerged as other than they had been, gave themselves and their experiences back to the underlying whole. Evolution, history, lives eerily resembled memes in organic minds.
“Yet quantum life was not a series of shifting abstractions. Like the organic, it was in and of its environment. It acted to alter its quantum states and those around it: action that manifested itself as electronic, photonic, and nuclear events. Its domain was no more shadowy to it than ours is to us. It strove, it failed, it achieved. They were never sure aboard Envoy whether they could suppose it loved, hated, yearned, mourned, rejoiced. The gap between was too wide for any language to bridge. Nevertheless they were convinced that it knew something they might as well call emotion, and that that included wondering.”
Text: Poul Anderson,
“How does one hate a country, or love one? Tibe talks about it; I lack the trick of it. I know people, I know towns, farms, hills and rivers and rocks, I know how the sun at sunset in autumn falls on the side of a certain plowland in the hills; but what is the sense of giving a boundary to all that, of giving it a name and ceasing to love where the name ceases to apply? What is love of one’s country; is it hate of one’s uncountry? Then it’s not a good thing. Is it simply self-love? That’s a good thing, but one mustn’t make a virtue of it, or a profession…”
― Ursula K. Le Guin,
“The asteroid, called 16 Psyche, is a massive hunk of precious metals including platinum and gold as well as iron and nickel.It orbits the sun between Mars and Jupiter and is of great scientific interest because it holds clues to one of the earliest eras in the history of our solar system — less than 10 million years after the birth of our sun.
“But now it’s grabbed the attention of money-hungry entrepreneurs and investors thanks to its stratospheric price tag. Valued at $A14,000 quadrillion, according to Lindy Elkins-Tanton, the lead scientist on the NASA mission, it is definitely worth more than its weight in gold.
“But bringing back an asteroid of this value could completely wipe out our global economy. Luckily, the space agency is taking the trip for scientific purposes and isn’t planning on conducting any mining — yet.”
‘Under the stars,’ she repeated. ‘I never noticed the stars before. I always thought of them as great big diamonds that belonged to someone. Now they frighten me. They make me feel that it was all a dream, all my youth.’
‘It was a dream,’ said John quietly. ‘Everybody’s youth is a dream, a form of chemical madness.’
How pleasant then to be insane!’
So I’m told,’ said John gloomily. ‘I don’t know any longer. At any rate, let us love for a while, for a year or so, you and me. That’s a form of divine drunkenness that we can all try. There are only diamonds in the whole world, diamonds and perhaps the shabby gift of disillusion. Well, I have that last and I will make the usual nothing of it.”
Text: F. Scott Fitzgerald, The Diamond as Big as the Ritz